The coronavirus pandemic has forced Hollywood studios to do what much of its audience already has: Turn their attention from the big screen to the small.

TV host John Oliver learned recently that making jokes in countries with authoritarian governments comes with a different set of rules.

Beer, parades, the wearing o’ the green. After Nicholas, no one commonly called a saint has had more celebration and legend grow up around him than “Ireland’s apostle,” Patrick. Yet unlike jolly old Sinterklaas, Patrick left an autobiographical record that offers a fascinating glimpse into not only his own life but also the spread of Christianity after the fall of the Roman Empire.

The punishment a judge gave Harvey Weinstein on Wednesday could amount to a life sentence for the ailing 67-year-old. A jury convicted the disgraced movie mogul of a felony sex act and third-degree rape last month. The charges stemmed from accusations by two of the more than 90 women who have said he assaulted them.

While countless global businesses experience economic fallout from the worldwide coronavirus epidemic, the outbreak of COVID-19 has hit the entertainment industry particularly hard.

It was one of the Babylon Bee’s characteristically barbed headlines—a joke that skates so close to reality, it’s hard to tell if it qualifies more as satire or commentary: “Disney to Introduce New LGBTQ Superhero Whose Superpower Is Turning Invisible in International Markets.”

That’s exactly what’s happening with Pixar’s latest movie, Onward.

The Erwin Brothers are back with their first new film after their surprise 2018 hit, I Can Only Imagine. That movie made more than $85 million to become the fourth highest-grossing biopic of all time, behind Bohemian Rhapsody, Straight Outta Compton, and Walk the Line.

The Erwins’ feat was all the more impressive when you consider that those A-List movies not only had the advantage of big studio marketing, they also all received Oscar nominations.