Muse Reporting on the arts and culture

Art for life

Art | Acceptance of pro-life messages in visual arts has tanked
by Lynde Langdon
Posted 1/17/20, 04:35 pm

In 1986, a pro-abortion artist submitted a short animation for display on the Spectacolor billboard in New York’s Times Square. The scrolling, blinking-light board was cutting-edge technology in outdoor advertising, and the owner devoted 30 seconds of every half-hour to noncommercial art.

The message, composed by Nancy Spero, included the words “THIS WOMB DOES NOT BELONG TO DOCTORS, LEGISLATORS, JUDGES, PRIESTS, THE STATE, ETC.” The animation played only once, and it reportedly infuriated Spectacolor owner George Stonbely.

“It turned out my boss was an ardent Catholic, and he vetoed it,” artist Jane Dickson, who helped operate the board, told Artnet News in 2017.

Nearly 34 years later, an art exhibition called “Abortion Is Normal” is showing at a gallery in lower Manhattan for most of this month. It includes graphic, defiant images of women fighting for the right to end their babies’ lives, along with two portraits of pro-abortion Supreme Court Justice Ruth Bader Ginsburg and a $50 cross-stitch pattern with the script “Abortion Is Normal” in a ring of flowers. Some of the show’s proceeds will go to the political action committee of Planned Parenthood, which last year put up a pro-abortion billboard in Times Square.

“That’s just so crazy to me,” said Brett Lempe, a pro-life, Catholic artist who lives in Denver. I talked with him this week about the art community’s embrace of pro-abortion messages and rejection of pro-life works.

“If they see that you’re pro-life, they probably won’t want to pay attention to you,” he said of the art-viewing public. “I think a lot of people probably just feel very threatened by that.”

Lempe converted to Catholicism just eight months ago, but he was an artist long before that. The religious art and aestheticism of the Catholic Church drew him in several years ago when he visited the Cathedral Basilica of St. Louis. He gradually began exploring Catholicism and developing pro-life beliefs. In 2019, he made two pro-life posts on social media, and the owner of a venue where Lempe was planning an art show saw them. Though Lempe had done some religious-themed artwork and one painting of a pregnant woman for use in a pro-life book, he didn’t plan to convey a specific message about abortion or life at the show.

But his friend who owned the venue saw Lempe’s pro-life posts and, in a text message, told him the show was off. The owners wanted no affiliation whatsoever with the pro-life point of view.

“I didn’t feel this huge loss from the art show getting canceled because I knew I was going to tell people about it, and I really knew that the pro-life movement was going to have my back,” Lempe said

And that’s exactly what happened. On Sept. 7, Lempe put on a pro-life art show with fellow Catholic artists at a Knights of Columbus hall in Denver. The one-night show, he said, “was actually really successful.”

The pro-life community has given strong support to artists and entertainers who share its views. Movies such as Unplanned and Gosnell: The Trial of America’s Biggest Serial Killer exceeded box office expectations. But tolerance for art that hints at a pro-life message is almost nonexistent outside of religious communities around the globe.

In Athens, Greece, this week, the government ordered the removal of pro-life public service announcements from the city’s Metro one day after they were posted, the newspaper Neos Kosmos reported. Left-wing politician Alexis Charitsis praised the government’s decision, saying Greece must “not allow control over women’s choices via guilt-inducing misinformation.”

Lempe said he would like to serve as a role model to others facing discrimination for their pro-life beliefs: “I hope to inspire others to stand for life regardless of the consequences that come with that.”

Associated Press/Photo by Majdi Mohammed (file) Associated Press/Photo by Majdi Mohammed (file) A worshipper inside the Church of the Nativity on Christmas Eve in the West Bank city of Bethlehem

Disputed site

Fans loved Jeopardy! The Greatest of All Time tournament, which wrapped up Tuesday on prime-time TV. But a question in a regular-season episode of the quiz show last week rubbed some people the wrong way.

The clue asked for the location of the Church of the Nativity, built on what is believed to be the site of Jesus’ birth in Bethlehem. Judges did not accept contestant Katie Needle’s answer “What is Palestine?” Instead, they awarded the points to player Jack McGuire who answered, “What is Israel?” The clue offended some who believe that Israel is illegally occupying Palestinian territory in the West Bank, where the church is located.

Jeopardy! apologized Monday to viewers. Producers said they realized after taping the question that it would be “problematic” and meant to cut it, but it stayed in the show due to human error. —L.L.

Associated Press/Photo by Breakthrough Movie Associated Press/Photo by Breakthrough Movie Actress Chrissy Metz at a special New York screening of Breakthrough in March

Entertainment notes

  • A song from the faith-based film Breakthrough, the story of a teen’s miraculous recovery after falling into an icy pond, received an Oscar nomination this week for best original song. The film’s star, Chrissy Metz, sings “I’m Standing With You,” a simple, soulful tune about a mother’s—and the heavenly Father’s—commitment to her child.
  • Speaking of the Oscars, author Stephen King drew criticism this week for how he chooses whom he will nominate for the awards. “I would never consider diversity in matters of art. Only quality,” King tweeted this week. “It seems to me that to do otherwise would be wrong.” The nominations, announced Monday, disappointed some people because they didn’t include any women in the best director category. This year, King participated in the selection process for the best picture, best adapted screenplay, and best original screenplay nominees.
  • Harvey Weinstein’s rape trial has a jury of seven men and five women. Opening arguments start Wednesday. —L.L.

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Lynde Langdon

Lynde is a WORLD Digital's managing editor. She is a graduate of World Journalism Institute, the Missouri School of Journalism, and the University of Missouri-St. Louis. Lynde resides with her family in Wichita, Kansas. Follow Lynde on Twitter @lmlangdon.

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