Music | A flood of Debussy releases reveals a composer outside of his time
by Arsenio Orteza
Posted 4/12/18, 10:45 am
March 25 marked the centennial of the death of the greatest French composer of all time, Claude Debussy. Whether he’ll ever earn the title of “Greatest Composer of All Time, Period,” however, is unlikely, if only because he ignored many of the conventions used to compare and contrast great composers in the first place.
In terms of structure, tonality, texture, and sonority (almost everything, in other words, that makes music music), as well as in terms of his openness to non-European and extra-musical influences, Debussy followed his own rules.
by Jeff Koch
Posted 4/12/18, 08:43 am
In the Wake Of O
Those wanting to up the musical ante for hip-hop should try Ozay Moore’s In the Wake of O. It features old-school soul grooves nailed down by a bass and ornamented by retro record scratching, jazz keys, and—wait for it—a horn section. In “Good,” satisfaction is found not by “buying what the media flips,” but in a muscular black pride rooted in godly family routine like tucking kids in bed and being a “spouse keeper.” Moore wants us not just to live moment by moment: Christ-centeredness includes considering the legacy we’ll leave.