Season 2 of Tom Clancy’s Jack Ryan on Amazon is an entertaining adventure, with plenty of plot twists and surprises. But the eight-part series is marred by frequent blasphemy, excessive violence, and unnecessary foul language.

A single-propeller Spitfire loops and soars over the green British countryside, its pilot reveling in the craft’s liveliness. Spitfire, a documentary available on Netflix, tells the tale of the last of the fighter planes without a jet engine, a plane that became a symbol of British courage during the Second World War.

In ABC’s new weekly drama Emergence, shadowy villains want to get their hands on a little girl who seems to have survived a mysterious plane crash. As a police chief and her family shield the youngster from danger, they try to find out why she is so valuable to evil forces. ABC might have a hit on its hands with Emergence, but is it worthwhile viewing for Christians?

Director Orlando von Einsiedel lost his brother Evelyn to suicide 15 years ago, and he and his family find it too painful to talk about their loss. Determined to change this, Orlando, sister Gwen, and youngest brother Robin set off to reminisce by repeating a series of hikes in Scotland they had traveled with their brother.

When General Motors Co. in 2008 shuttered a factory near Dayton, Ohio, thousands of workers lost high-paying union jobs. Eight years later, a Chinese glass manufacturer reopened part of the plant, bringing new employment but a very different work culture. The new Netflix documentary American Factory is a fascinating and evenhanded look at the stark differences between American and Chinese work life.

“Based on an actual lie” is the opening tagline to director Lulu Wang’s second feature film, The Farewell. The PG-rated movie tells the story of a Chinese family dealing with the impending death of its beloved matriarch by not telling her she is dying.

Netflix is spending billions of dollars this year to produce original movies and series for its subscribers. Regrettably, many of these shows are awash in objectionable content. A quick scan of newer original releases on the streaming network shows that much of this content is rated for “mature” audiences. Are Netflix executives also willing to finance family-friendly fare?