A new Sunday night docuseries on CNN provides a look at something rarely seen in the justice system: moderated dialogues between victims and offenders through a system often known as restorative justice.

The Marvelous Mrs. Maisel, streaming on Amazon Prime, constantly teeters on turning quite cynical—but never does. And considering the setting—a housewife breaking into the New York comedy scene (and show business) in the 1950s—that’s pretty impressive. 

Season 1 mused on whether it would be possible for Miriam Maisel’s marriage to survive her comedic career. The big questions season 2 asks: Does success in show business require total independence? Must one be all alone to make truly great art?

Can You Ever Forgive Me?, a film based on the memoir of late writer Lee Israel, has every hallmark of a modern-day Oscar winner: a female director, a hit comedienne (Melissa McCarthy) turning to a dramatic role, and romantic storylines that will thrill the LGBT community.

Early reviewers gushed about McCarthy’s performance as the ornery, depressed Israel, a struggling biographer who starts forging letters from famous authors for cash. They were right: McCarthy plays Israel with such perfect nuance you can almost smell her bad breath through the screen. 

Change in the Air couldn’t possibly be more different from the shows on which Rachel Brosnahan last gave two unforgettable performances, House of Cards and The Marvelous Mrs. Maisel.

CBS’ newly remade Magnum P.I., which premiered Monday, sticks roughly to the premise of the original 1980s hit show starring Tom Selleck: a light, funny, mystery storyline about a former Navy SEAL “repurposing his military skills to become a private investigator.”

Elizabeth Heng, the Republican nominee for 12th Congressional District in California, is sure that Facebook rejected her advertising dollars last week in an attempt to censor her political views. The social media company said it was just following policy with the decision, which it later reversed. But the controversy that erupted demonstrated the public’s increasing concern over the power Facebook has to affect politics and public discourse.

After angering some pro-family audiences with recent programming, Netflix this week promised to release more shows that appeal to families and people of faith.